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On a 42nd Street block that used to house peep shows, The Duke Theater is a resonant location for a play called Cock. For this four-actor drama, The Duke is entirely reconfigured as an arena where onlookers are up close and personal as if watching a cockfight, taking bets.
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By Vanessa Quirk
(click here for original article)
AOL Offices in Palo Alto by Studio O+A © Jasper Sanidad
HP, Apple, Google – they all found their success amongst the peach groves and Suburban houses of California. But why? What is it about Silicon Valley that makes it the site of technological innovation the world over?
It’s tempting to assume that the Valley’s success must be, at least in part, due to its design.
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Ofri Cnaani's exhibition "Special Effects" asks, or perhaps dares: "Can you see a trick while it's happening?"
If this question sounds simple, you've already underestimated her work. The road to catching a trick in action is filled with unrest, anxiety and eventually failure, and the Israeli artist challenges us to spot the moments we are being beguiled by making cyanotypes that are (literally) translucent.
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This week we saw a lot of photography, from the hilarious to somber. One of the top stories was that famed Malibu photographer Paul Rusconi was cleared of allegations of raping his twin daughters, which was a momentous day for him and his family.
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South Africa-based photographer Roger Ballen got his start documenting impoverished South Africans who had been marginalized by the Apartheid government. Soon after Ballen abandoned the documentary style, stopped looking outward and began looking inward.
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On Friday at 4pm, set your radio to 104.4fm if you live in London and your browser to http://resonancefm.com/ if you don't. That's when the pilot for programme i've recently recorded for Resonance104.4fm, London's edgy, radical, art radio is going to be aired.
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The poster is finally here. Plus, our predictions for the trailer.
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The spare, modern courtyard at LACMA transformed into a bass-thumping hip hop venue Thursday night. Rap trio 3MG (Murs, Eligh and Scarub) performed together for the first time in five years, drawing about 1,000 underground hip hop fans to the fine arts bastion.
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This podcast features writer Robert Faires, talking about his creative space. Faires is the Arts Editor for The Austin Chronicle and has been active in the city's theatre scene as a writer, actor, and director since 1980.
It's part of a series spun out of Fusebox Festival's The Writer's Room, A Home Studio Tour curated by Elizabeth Doss and Annie La Ganga.
Producer Deepa Donde in association with American Short Fiction gathered writers into a studio for this series.
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