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And it's making your phone a lot safer.
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A new study put a darker spin on "Crackbook".
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Respected film editor and documentary filmmaker Tyler Hubby is believed to be the last photographer to capture a portrait of international artist Mike Kelley on an assignment for Artillery magazine. The recent passing of the artist, musician and LA art hero has given a simple photo shoot a grave and life-changing significance.
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This week's "Castle" is going totally film noir. In "The Blue Butterfly," Castle and Beckett discover that the murder case they're investigating is linked to a homicide from 1947 involving a lot of mystery and a very tough private detective.
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A while ago I wrote a prologue for a show conceived by two friends in which I stated that there is a fine line between post-postmodern brilliance and crap. Though I was being facetious, there is some truth to this sentiment.
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Gustavo Dudamel is getting ready to scale yet another summit in his young career. On Saturday, he will conduct Gustav Mahler's Symphony No.
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Looks like the "X Factor" bloodbath is over ... L.A.
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If drummer Matt Wilson ever decides to hang up his sticks, it seemed like he had a future in comedy toward the close of his performance with Trio M at the Musicians Institute on Friday night, part of the Jazz Bakery's ongoing Movable Feast concert series.
Introducing a few songs by his trio-mates pianist Myra Melford and upright bassist Mark Dresser, Wilson dryly encouraged the crowd to "support the economy" by buying the group's new CD "Guest House" on the way out, tying the act the part of both the 99% and the 1% before finally insisting the doors would be locked until everyone bought a copy. If you buy both," he added in reference to the Trio's 2007 Cryptogramophone debut "Big Picture," "We might let you have your car."
Wilson's buoyant mood was also reflected in the members of the trio, each of whom broke out in smiles at various points during the nearly 90-minute concert.
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If you've been humming "Andrew In Drag," Stephen Merritt's return-to-form earworm since we first heard it in January, here's a video for you to watch on repeat. Director Scott Valins described the gender-blurring video to NPR as "a series of intimate portraits that lead the viewer to their own complex conclusions of what they are attracted to." Be warned, there's nudity (though if you survived the boob-taping scenes in "Now And Then," you'll probably be ok).
WATCH:
"Andrew" drops March 6 as part of Love At The Bottom Of The Sea, an album whose 3 minutes or fewer ditties sound poised to be a continuation of 69 Love Songs.
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Polish-born director Agnieszka Holland's movies and television shows have often changed the way we look at familiar events. Before 1990, most movies that dealt with World War II often presented the Nazis as monolithic monsters.
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We see Biscayne Bay nearly daily, but are we really looking? Miami-bred artist Barry Fellman's photos of the mangrove ecosystem that nestles Miami are challenging beyond the glamour shots that populate tourist brochures: with a look at the hidden world inches below the surface, all of a sudden Biscayne is mysterious, alien, and more than a little thrilling. The elements that make up this zone between sea and land are rich and diverse," Fellman said.
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This week was one of many discoveries at HuffPost Arts. We found out that the Mona Lisa is not alone and that seashells are just as beautiful on the inside as they are on the outside.
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The click clack of a typewriter is one of those seldom-heard but easily recognizable sounds. Keira Rathbone is a fervent user of the machine, but instead of cranking out words, though, she uses the keys to create art.
The English artist clusters letters, numbers and symbols from a typewriter keyboard to composite images; from portraits of friends and celebrities to landscapes and still life.
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